I'm currently making my way through a large number of short story collections from the "weird fiction" genre which, at its best, merges psychological horror with metaphysical horror. While the term "weird fiction" is mostly used for writers like Poe or H.P. Lovecraft, there are now quite a few contemporary practitioners of this artform. The granddaddy of them all is Thomas Ligotti who, sadly, has become much less prolific as the years go by, due to a combination of mental and physical problems. Ligotti, much like the Best Show, is one of those cultural artifacts you may not understand the first time around. I'd tried to read his collections The Nightmare Factory and Noctuary in the past and they left me blah, but last year I revisited The Nightmare Factory and it hooked me. This year was his most productive in some time, as it saw the release of both his newest original work, the nonfiction treatise The Conspiracy Against The Human Race, and an extensively revised edition of his first collection, Songs of A Dead Dreamer. I find reading them in tandem works as a sort of thematic decoder ring for Ligotti's more abstract ideas, since Conspiracy is Ligotti's dour personal philosophy laid bare.
I'm also reading work by folks who were inspired by Ligotti and, in his absence, have carried the torch of the contemporary weird- Joeseph S. Pulver, Sr., Quentin S. Crisp, Mark Samuels, Matt Cardin, and Laird Barron, just to name a few. A great many of these authors have either new work or reprints of rarer work forthcoming from Chomu Press, which Quentin S. Crisp founded after he became dissatisfied with being "ghettoized" in expensive hardcovers most people can't find and/or afford (due to its status as a niche genre, many weird fiction authors appear exclusively in small press publications).