FOT Forum
FOT Community => General Discussion => Topic started by: jbissell on June 23, 2008, 02:20:03 PM
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EW has come up with lists of the "New Classics" in film, music, TV, books, etc. (1983-2008).
http://www.ew.com/ew/article/0,,20207076_20207387_20207063,00.html
Now I recognize that any list put together by EW is going to be lame and maybe it's not even worth discussing but I'm beyond bored at work today so I'm throwing this up anyways.
The Hills is one of the top 100 TV shows of the last 25 years. Napoleon Dynamite is a better film than Back To The Future. Green Day and Amy Winehouse are responsible for 2 of the 10 greatest albums of the last 25 years. Radiohead has the #10 album (and it's not the one you'd guess).
So if anyone wants to discuss these things, let's give it a go...I'm not necessarily hoping for a total bashing of the list, but maybe an opportunity for a list of FOT New Classics.
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EW's problem with this list is that they write "The 100 best films/movies/albums/books from 1983 to 2008" yet focus a lot less on the quality of the selections and more on cultural impact. I think scanning the lists for the most part, I can agree with the selection at times but their ranks are just entirely outrageous.
Which list do you think FOT needs to revise the most? I think music looks like the worst. Then TV and followed by film.
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That seems like a pretty fair assessment to me. It seems like they're trying to make these lists half quality/half cultural impact because it's the only reason I can see any list putting Titanic at #3 while still having something like Crumb at #14.
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that was the 'Garden State' of top-100 music lists: it tried waaay too hard, hit a few good notes but ultimately failed due to it's naivite.
seriously: Postal Service & Interpol (i'm sure they are fine bands, people seem to like them) but no Zen Arcade? no Fresh Fruit for Rotting Vegetables? anything from the Fugazi Limo Company?
edit: Fresh Fruit for Rotting Vegetables was released in 1980, my mistake.
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edit: Fresh Fruit for Rotting Vegetables was released in 1980, my mistake.
Also Entertainment Weekly is not frequently read by 14 year-olds
(still holding a grudge that Jello Biafra hates ELO)
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How the hell did the worst Cat Power record get in the Top 20??
Anyway: Knowing Me Knowing You w/ Alan Partridge is an obvious contender for a FOT classic television show.
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Anyway: Knowing Me Knowing You w/ Alan Partridge is an obvious contender for a FOT classic television show.
I'm Alan Partridge ahead of KM,KY would be my rec.
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Looking quickly over their music list, is it (are they all) limited to one album per band?
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Looking quickly over their music list, is it (are they all) limited to one album per band?
I don't think so, Radiohead has two on there.
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Nevermind doesn't even make the list.
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For the two of you that care - How about that list of plays and musicals (http://www.ew.com/ew/article/0,,20207076_20207387_20207336,00.html)?
Rent and Jersey Boys in the top 5? Topdog/Underdog at 48?! Nonsense.
Good choice for number one, though.
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Topdog/Underdog at 48?! Nonsense.
Is this because you thought it shouldn't be on the list at all? or thought it should be higher? I never saw it, but I did read it and remember hearing good things about it (Mos Def & Jeffrey Wright?)
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Anyway: Knowing Me Knowing You w/ Alan Partridge is an obvious contender for a FOT classic television show.
I could never get into it. But I love Saxondale, so I ought to try again.
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Topdog/Underdog at 48?! Nonsense.
Is this because you thought it shouldn't be on the list at all? or thought it should be higher? I never saw it, but I did read it and remember hearing good things about it (Mos Def & Jeffrey Wright?)
It was originally Don Cheadle and Jeffrey Wright. Mos Def replaced Cheadle later on.
I think I'd put it at #2 behind Angels in America which, come to think of it, also featured Jeffrey Wright.
Jeffrey Wright is a god. He's playing Colin Powell and Muddy Waters in two upcoming movies. No matter how bad those movies might be, he's going to bring it.
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Topdog/Underdog at 48?! Nonsense.
Is this because you thought it shouldn't be on the list at all? or thought it should be higher? I never saw it, but I did read it and remember hearing good things about it (Mos Def & Jeffrey Wright?)
It was originally Don Cheadle and Jeffrey Wright. Mos Def replaced Cheadle later on.
I think I'd put it at #2 behind Angels in America which, come to think of it, also featured Jeffrey Wright.
Jeffrey Wright is a god. He's playing Colin Powell and Muddy Waters in two upcoming movies. No matter how bad those movies might be, he's going to bring it.
Jeffrey Wright also happens to be in EW's #19 best movie: Casino Royale! That might be the most unbeliavable choice on the list. And for a magazine like EW, I was shocked that they wouldn't put Juno or Little Miss Sunshine on their list. I didn't care for either but they seem like the type EW would include.
They also included 5 albums from 2007 on the top 100 music list, which seems to me to be too many, too soon.
9. Back to Black Amy Winehouse (2007)
10. In Rainbows Radiohead (2007)
33. As I Am Alicia Keys (2007)
50. Sounds of Silver LCD Soundsystem (2007)
52. Ga Ga Ga Ga Ga Spoon (2007)
I also noticed that no Weezer made the list.
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So if anyone wants to discuss these things, let's give it a go...I'm not necessarily hoping for a total bashing of the list, but maybe an opportunity for a list of FOT New Classics.
Scarhead is definitely up there on my movie New Classics list.
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The Lord of the Rings trilogy at #2 and Titanic at #3? Come on, people. There are some pretty good movies on that list, I have to say. And it's not nearly as pompous as the AFI's Top 100 movies of all time that was issued a few years ago.
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Anyway: Knowing Me Knowing You w/ Alan Partridge is an obvious contender for a FOT classic television show.
I could never get into it. But I love Saxondale, so I ought to try again.
I'm with Samir that I'm Alan Partridge is probably an easier way into the character. KMKY was really innovative at the time, but has aged a lot worse than I'm Alan Partridge.
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Just once I would like to see one of these stupid lists with a late '90s electronic dance record on it that isn't goddamned Play by stupid-ass Moby.
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i didnt get very far.
i had a hard time stomaching classic (used in the literal sense) albums/television shows/movies/books/etc. thrown on the same list, and sometimes at lower rankings!, as "classics" that really only have a social impact or were just plain bad. with the stench of these lists, its very peculiar what is on there and what isn't.
my guess: they took the top five in each category from twenty people and grabbed them out of a hat.
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goddamned Play by stupid-ass Moby.
I would probably give this album a chance if that was its real title.
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Lists like these are always a terrible idea. That said, other than the music list and the rankings (which are always suspect), it's not that bad. Since I became an adult I've always hated these kinds of lists, but I remember being in high school and discovering The Minutemen and about 10 other great albums by artists I'd never heard of because of Rolling Stones' Top 500 Albums of All-Time list. I am sure that I could nitpick the hell out of that list at this point in my life.
So, with that mind-frame, young people would do well to seek out the stuff in those lists.
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Anyway: Knowing Me Knowing You w/ Alan Partridge is an obvious contender for a FOT classic television show.
I could never get into it. But I love Saxondale, so I ought to try again.
I'm with Samir that I'm Alan Partridge is probably an easier way into the character. KMKY was really innovative at the time, but has aged a lot worse than I'm Alan Partridge.
I guess you guys are right, but for some reason I totally prefer KMKY. I don't know why, I just really like it a whole lot more. And I disagree that it's an easier way into the character, because I watched I'm Alan Partridge before KMKY, and I had no idea who the hell this guy was supposed to be. The KMKY DVD fixed that right up. It was a much clearer view into what makes him tick. I would like to go back to "I'm Alan Partridge..." now that I've seen the first series. I'll defer that I'm Alan Partridge is probably more Best Show Classics appropriate, however.
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Wow, that's a seriously... focked up music list.
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Topdog/Underdog at 48?! Nonsense.
Is this because you thought it shouldn't be on the list at all? or thought it should be higher? I never saw it, but I did read it and remember hearing good things about it (Mos Def & Jeffrey Wright?)
It was originally Don Cheadle and Jeffrey Wright. Mos Def replaced Cheadle later on.
I think I'd put it at #2 behind Angels in America which, come to think of it, also featured Jeffrey Wright.
Jeffrey Wright is a god. He's playing Colin Powell and Muddy Waters in two upcoming movies. No matter how bad those movies might be, he's going to bring it.
I saw it on Broadway with Wright and Mos Def. It was good (Wright was awesome and Mos was actually pretty good on stage), but honestly I don't even think it was Suzan-Lori Parks' best play. I briefly glanced at the play/musical list (someone emailed it to me) but I couldn't bear to read the whole thing. I think they just Googled a few big awards like the Tonys and Pulitzers and used that.
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I've read Venus and The America Play, but TopDog/Underdog is the only one I've seen performed. Recommendations?
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I'd recommend The Red Letter Plays, published by TCG. They're basically her two riffs on The Scarlet Letter, but they're both pretty cool. I think Topdog is better than the other two you mention, though.
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Oftentimes these lists are a mess because they use some sort of democratic aggregation of lists from individual contributors. As a result, any sort of opinions that are out of bounds with the group as a whole get minimized. That's why I always liked the Pazz and Jop list; while the "master" list was frequently kind of goofy, Village Voice has for years provided open access to each individual's picks, and you can frequently find a few of those that square with your own tastes. If you see a list for which you agree with 6 of the top 10, you can be pretty confident about using the pieces from that list that you don't know as some sort of personal recommendation.
This "rounding off" of the edges to provide a homogenous hive-mind list is also frequently taken into account by the participating individuals. If I were invited to contribute, for example, and I was convinced that the new Urban Verbs cd is being unfairly overlooked, even though I might think it's only the 25th-30th best of the year, I might overcompensate and place it at number 3-5 in an attempt to get it to register at all on the final aggregate list. That sometimes explains the "that list looks OK, but how the hell did THAT get placed so high?" syndrome.
There's not a new Urban Verbs CD to my knowledge. It was purely illustrative.
Man oh man, do I love lists and ranking schemes. For a recent example, see http://gaughin.edublogs.org/2008/05/26/the-actors-project-so-far-a-h/ (http://gaughin.edublogs.org/2008/05/26/the-actors-project-so-far-a-h/)
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Thanks for the mathematical analysis, Dave - very illuminating. I too like Pazz and Jop, but like a lot of what the Voice does, the sheer volume of it sometimes paralyzes me. I wonder if there's some sort of similar analysis regarding how the internet is changing word-of-mouth-based buying habits; for example, instead of listening to (most) critics, I've limited my music resources to a few trusted sources (WFMU and this board among them). The final result, though, is that I purchase, download and listen to a great deal more music than I used to - narrowing down my sources has allowed me to better sort things out, I guess, while before, I was just listening to whatever new albums made it through the white noise of the media.
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Thanks for the mathematical analysis, Dave - very illuminating. I too like Pazz and Jop, but like a lot of what the Voice does, the sheer volume of it sometimes paralyzes me. I wonder if there's some sort of similar analysis regarding how the internet is changing word-of-mouth-based buying habits; for example, instead of listening to (most) critics, I've limited my music resources to a few trusted sources (WFMU and this board among them). The final result, though, is that I purchase, download and listen to a great deal more music than I used to - narrowing down my sources has allowed me to better sort things out, I guess, while before, I was just listening to whatever new albums made it through the white noise of the media.
I agree with this statement 100%.
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Speaking of math, this is why I'm usually impressed with Pandora's (http://www.pandora.com) algorithms. Over time, it's learned my taste pretty well and always recommends interesting stuff, and as a result I've purchased more music. No more sifting through other people's lists or rolling the dice based on what a critic says.
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I wish I could actually see Pandora's algorithms; I am sure it starts with a "people who like what you like also like this" set-up, but I would be interested in what else gets folded in, specifically whether companies can influence their recommendations.
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I dunno about the additional algorithms, but the Music Genome Project (http://en.wikipedia.org/wiki/Music_Genome_Project) used actual human beings to chart things like "gender of lead vocalist, level of distortion on the electric guitar, type of background vocals, etc".
Full list of attributes -
http://en.wikipedia.org/wiki/List_of_Music_Genome_Project_attributes
Given their past organic approach, I'd be surprised if Pandora also let record companies influence recommendations, but you never know.
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Pandora does an awful job of getting my tastes right. I still use it, hoping one day it will all come together, but I have to constantly skip songs.
It's kind of disappointing.
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Alan Partridge talk
I guess you guys are right, but for some reason I totally prefer KMKY. I don't know why, I just really like it a whole lot more. And I disagree that it's an easier way into the character, because I watched I'm Alan Partridge before KMKY, and I had no idea who the hell this guy was supposed to be. The KMKY DVD fixed that right up. It was a much clearer view into what makes him tick. I would like to go back to "I'm Alan Partridge..." now that I've seen the first series. I'll defer that I'm Alan Partridge is probably more Best Show Classics appropriate, however.
Don't want to beat this horse TOO much deader, but you're totally right that KMKY provides some key insights into Alan that can deepen your appreciation of the subsequent series. I strongly recommend giving I'm Alan Partridge another try - it's a classic, and bears repeat viewings.
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You know what doesn't really work for me? Last.fm. Sometimes, if I'm away from home, I'll use that radio station function, and I wind up with bands that I don't really like. Like last week, I typed in "Jucifer" and got all of this Norwegian black metal type stuff.
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The last.fm radio feature is very hit-and-miss, I agree. But it can be quite fascinating, if you look for tags and keywords rather than "xxx and similar artists". A while ago I sat around with some friends discussing time travelling (no bongs; don't judge), and we typed in "time" as keyword, and got some very interesting results. Since it's based on what other people are tagging the music with, we got everything from Spiritualized, Aphex Twin and 9 to 5.
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That's a great idea, Martin (have you finally turned your back on crime?). I'll give it a try.