With their recent foray into a five-nights-a-week show, here’s a full night of Wire-related programming to go with Time Patrol and help HBO fill out their schedule.
8:00-8:30 PM: More With Lester
A Real Doll House!
After more than 30 years on the police force, Lester Freamon was sure he’d seen it all. But running the Major Crimes Unit didn’t prepare him for this! When Shardene’s new Dance Academy struggles to find its footing, Lester’s plans to run his doll furniture business full time are turned head over heels. Convinced to expand the business and train Shardene’s dancers on the finer points of his craft to help raise money for the Academy, the one-time smartest cop in Baltimore might be the one learning some lessons – in life and friendship – from these lovely ladies.
8:30-9:00 PM: Rap Shee(eeee-i)t
Welcome to the Wild, Wild West!
They say the game is to be sold, not told. Problem is, nobody told Clay Davis! Fed up with carrying water back east, the former Maryland senator has his sights set on some surf and sun when he switches coasts and heads to LA. But Clay Davis just can’t say no to a challenge, and soon he’s helping bring some hustle to the flow at his cousin Dre’s fledgling hip hop label. Is the City of Angels ready for this charismatic devil?
9:00-10:00 PM: The Wire: Time Patrol
The Crimes of The Centuries!
10:00-11:00 PM: The Wire: Tapped Out
The Most Dangerous Game!
When his prized students Justin and Spider go missing, youth boxing mentor Dennis “Cutty” Wise follows up on a Baltimore Sun expose of illegal underground fighting rings in the hopes of finding some answers. But the former Golden Gloves boxer gets more than he bargained for when Cutty is kidnapped and forced into a nightmare world of high-stakes ultimate fighting, part of a secret tournament run by Baltimore’s elite. With no choice but to fight through this deadly game, where the only prize for the winner is his life, the one-time Barksdale soldier prepares for battle and makes plans to get to the man running the show…the Sun’s Executive Editor, James Whiting.