Author Topic: Paul McCartney solo/Wings  (Read 10986 times)

yesno

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Paul McCartney solo/Wings
« on: March 29, 2008, 12:01:17 PM »
What Paul McCartney solo/Wings albums are worth listening to?



Gilly

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Re: Paul McCartney solo/Wings
« Reply #1 on: March 29, 2008, 12:24:15 PM »
I really like McCartney and Chaos and Creation in the Backyard. Everything else is really hit and miss in my opinion and I don't miss much just having Wingspan.

TL

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Re: Paul McCartney solo/Wings
« Reply #2 on: March 29, 2008, 12:55:15 PM »
RAM is one of my favorite records of all time.  McCartney (the one with "Maybe I'm Amazed") is great, too.  For Wings, Band on the Run is amazing, but Wild Life is a bona fide overlooked classic!  Beyond that, I agree with Gilly - I'm fine with the Greatest Hits.

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Tom Scharpling

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Re: Paul McCartney solo/Wings
« Reply #3 on: March 29, 2008, 01:20:42 PM »
Ted has called it all the way down the line. RAM is only second to ALL THINGS MUST PASS in solo Beatledom, but WILD LIFE is the shambling secret of the whole catalog! I shall play something from it on Tuesday to make my point - what would you like to hear, TL?

Tom.



TL

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Re: Paul McCartney solo/Wings
« Reply #4 on: March 29, 2008, 01:26:32 PM »
Ted has called it all the way down the line. RAM is only second to ALL THINGS MUST PASS in solo Beatledom, but WILD LIFE is the shambling secret of the whole catalog! I shall play something from it on Tuesday to make my point - what would you like to hear, TL?

Tom.




Why, thank'ee, Tommy!  The title track is my fave, but it's long and slow, so maybe "Mumbo" for it's immediacy?

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Wes

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Re: Paul McCartney solo/Wings
« Reply #5 on: March 29, 2008, 04:36:44 PM »
I'm right there with the love for McCartney, RAM, Band on The Run and Wild Life, but I also think Venus & Mars is pretty great and think most of Red Rose Speedway (outside of "My Love," which I could live without hearing again, and "Loup") is really underrated. I love "Big Barn Bed" on Red Rose Speedway.

I have a soft spot for a lot on Back To The Egg and have listened to Tug of War and McCartney II a ton, but I'm not sure I could actually recommend McCartney II to anybody who's not already a fan. It's after Tug of War where I think you can skip about the next 14 years and not miss anything.
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yesno

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Re: Paul McCartney solo/Wings
« Reply #6 on: March 29, 2008, 05:04:10 PM »
What is the thinking man's take on Flaming Pie, Chaos and Creation, and Memory Almost Full?



dave from knoxville

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Re: Paul McCartney solo/Wings
« Reply #7 on: March 29, 2008, 06:12:53 PM »
I am glad somebody mentioned Back To the Egg. In terms of production style, it's not dated well, so neophytes would have trouble dealing with it, and about 5 of the 14 tracks are more like sketches than fully-formed songs, but McCartney's really adventurous on there in terms of song-writing ideas. I always thought the end of Arrow Through Me reached almost Weather-Report style proportions, bouncing back and forth between 8/8 and 6/8 with that tenor saxaphone riding on top of the riff. But when I play it for Andy from Knoxville, for example, not three seconds get out before he says "80's CHEESE".

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Gilly

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Re: Paul McCartney solo/Wings
« Reply #8 on: March 29, 2008, 08:40:53 PM »
What is the thinking man's take on Flaming Pie, Chaos and Creation, and Memory Almost Full?

I'm not much of a critic but Chaos and Creation rivals McCartney (debut) for my favorite Paul album. I didn't like the other two very much though. I pulled out my Ram LP today and that is pretty solid. I'll listen to Wild Life tonight. My dad gave me all of his albums which consists of everything the Beatles put out until about 77-78 a few years back and I still haven't listened to much of the Harrison and Ringo stuff other than Ringo and All Things Must Pass. Well, I tried listening to Beaucoups of Blues once but couldn't get through the first side.

Andy

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Re: Paul McCartney solo/Wings
« Reply #9 on: March 29, 2008, 10:21:13 PM »
My favorite review of Ram:
This record sounds like winding up a box for forty-five minutes and right when it's supposed to pop- you get raped by a sweaty, amped-up, recently worked-out Carrot Top shoving a ram's horn up your ass.
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dave from knoxville

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Re: Paul McCartney solo/Wings
« Reply #10 on: March 30, 2008, 12:01:34 AM »
Yes, but I think he was referring to GG Allin's Ram

Tom Scharpling

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Re: Paul McCartney solo/Wings
« Reply #11 on: March 30, 2008, 12:24:20 AM »
That is my least favorite review of RAM.

Tom.


Andy

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Re: Paul McCartney solo/Wings
« Reply #12 on: March 30, 2008, 12:48:35 AM »
you can thank Henry Owings
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Wheelies- I'm havin' a time
Headlocks- I'm havin' a time
Drunk Tank- not so much a time
George St.- I'm havin' a time
Brenda- I'm havin' a time
Bingo- I'm havin' a time
House Arrest- I'm still havin' a time

Man Machine

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Re: Paul McCartney solo/Wings
« Reply #13 on: March 30, 2008, 12:54:25 AM »
But when I play it for Andy from Knoxville, for example, not three seconds get out before he says "80's CHEESE".

Brat.

I read this while taking a drink and I laughed so hard I choked. Thanks for almost killing me. With laughter.

masterofsparks

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Re: Paul McCartney solo/Wings
« Reply #14 on: March 30, 2008, 09:01:46 AM »
Here's a bad (meaning negative) review of Wild Life from allmusic.com (it's by Stephen Thomas Erlewine and is rated 2 1/2 stars):

The irony of the first Wings album is that it seems more domesticated than Ram, feeling more like a Paul 'n' Linda effort than that record. Perhaps it's because this album is filled with music that's defiantly lightweight -- not just the cloying cover of "Love Is Strange" but two versions apiece of songs called "Mumbo" and "Bip Bop." If this is a great musician bringing his band up to speed, so be it, but it never seems that way -- it feels like one step removed from coasting, which is wanking. It's easy to get irritated by the upfront cutesiness, since it's married to music that's featherweight at best. Then again, that's what makes this record bizarrely fascinating -- it's hard to imagine a record with less substance, especially from an artist who's not just among the most influential of the 20th century, but from one known for precise song and studiocraft. Here, he's thrown it all to the wind, trying to make a record that sounds as pastoral and relaxed as the album's cover photo. He makes something that sounds easy -- easy enough that you and a couple of neighbors who you don't know very well could knock it out in your garage on a lazy Saturday afternoon -- and that's what's frustrating and amazing about it. Yeah, it's possible to call this a terrible record, but it's so strange in its domestic bent and feigned ordinariness that it winds up being a pop album like no other.



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