Well, actually, I had followed it for a while, during the latter part of what Wolk calls its best period (late 80s/early 90s), and I wasn't all that into it then, either. Wolk makes a case for ignoring Sim's loony misogyny, but I can't really separate it from my feelings about his work, which veers between boringly pretentious and totally insane. The art's pretty good, but everyone says that that's the work of his inker, Gerhard.