Your mocking remarks about the characters holding conversations in "hushed voices, as if it's so important."
Let's see, we're talking about characters whose entire lives are crumbling around them, who are finding out that their closest relationships have been based on lies, who are facing imprisonment or ruin.
I'm not sure whether your criticism was that they should lighten up and realize that it's not all that important, or that they should be raising their voices more (because that would be a lot more dramatic, you know, like when Michael Corleone screams "I know it was you, Fredo, you broke my heart" at the top of his lungs).
You're obviously a brilliant dude, Mike, but popular things you don't like seem to make you lose your grip.